You’ll see how it works in the real world by adding a current section headline to the navigation bar in the mockup. 4.37 shows a comparison of the four modes on Helvetica Neue. There are subtle differences in the way each method affects your type. You can now set the anti-aliasing method of the typeface you’re using to get better results for type destined for the web or mobile devices. ![]() That said, Illustrator recently inherited a feature from Photoshop that makes type rendering even better. In the meantime, my philosophy is to get as close as I can in Illustrator and let the screen do what the screen will do. You have the browser or app rendering engine, screen resolution, computer platform, and quality of typeface working against this idea. While I think that is a great idea, it’s difficult for me to imagine it happening anytime soon, simply because of all the variables that go into displaying type on a screen. One of the big pushes in the UI design world is for a tool that will render type the same way as it does in the browser. The next thing to consider is how your type will render on the screen. Make sure to use the same font in your mockup that you are going to use in the final UI. Choosing a font that both systems have will ensure a similar experience no matter the platform. For system fonts, there is some parity between the two. You can use web fonts from sources like FontSquirrel ( ) or the standard fonts that come with every Mac or Windows system. Looking Good on the Screenįirst, you’ll need to think about font choices. If you have experience in setting type for print documents, there are some factors you need to consider when you’re setting type for a UI. ![]() In some applications, it can actually be the interface itself. Good typography in a UI can emphasize and give clarity to app structure and hierarchy. ![]() With the main structure created, it’s time to move on to typography.
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